Fantastic Four

Fantastic Four

Director: Josh Trank

Writers: Jeremy Slater, Simon Kinberg

Stars: Kate Mara, Miles Teller, Michael B. Jordan

Storyline Of Fantastic Four:

Fantastic Four, a modern re-imagining of Marvel's novel and longest-running super-hero team, centers on four young outsiders who teleport to an exchange as well as dangerous universe, which alters their bodily form in upseting ways. Their lives forever upended, the team must learn to tie together their daunting new abilities as well as work together to save Earth from a former friend turned adversary.

User Reviews Of Fantastic Four:

I was not expecting to enjoy this film at all. I was a huge disbeliever when the first trailer came out thoughts it would be another film chock full of cheesy one-liners as well as cartoony humor. Here that respect, I was way off. Josh Trank's Fantastic Four is earthed in relative realism, showing what would possible happen if people did in fact break inter-dimensional travel with brought back superpowers. Fantastic Four has a darker tone than the other films and is a wildly different knowledge because of it. The characters are more relatable, their situations are more believable, and for a good quality part of the film, it actually feels like you are watching the true Fantastic Four origin story unfold.

I can not blame Trank for the discrepancy I have with the film because he is not at mistake. Actually the producers insisted reshoots which bring up their ugly head about 20 minutes from the finish. Fantastic Four turns from this comparatively dark, stylish superhero performance to an overblown one-liner infested CGI-fest. Mentality you, I was unmoving pulling for the heroes the entire time, but the instants following, preceding as well as including the ending disagreement are so forcefully rushed as well as unevenly put together it completely disconnects you from what the first hour of the film set-up. The height is generic and lackluster, and the realistic shaky chemistry the characters shared in the starting of the film becomes extremely forced and awkward. The shift is so radical it is as if they Frankenstein had two separate films together, making for one extremely displaced watching experience.


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